Tag Archives: Melbourne

Interview: Warren Bonett at Embiggen Books

Bucking the trend of bookshops closing down, Embiggen Books threw open its literate doors to the people of Melbourne in August 2011. Warren and Kirsty Bonett brought their arts-meets-sciences store from Noosaville in Queensland to Little Lonsdale Street, opposite The Wheeler Centre, for family reasons. It’s definitely a win for Melbourne!

I spoke to Warren in mid-August about Embiggen’s approach to life and its future plans.

Narrelle: What’s the philosophy behind Embiggen Books and the kind of books that you stock?

Warren: We focus on science as a pretty big area, but our primary thing is where the arts meets the sciences. Our MO, if you like, is a cross pollination of ideas. We got in a lot of neuroscientists to talk in the shop up north and we will do the same down here. They have a lot of things to say to people of all disciplines. You’ll find Proust, for instance, was particularly interested in the mind and there’s been a lot of cross-fertilisation between Proust and neuroscientists in the way that they think about thought itself and the brain.

N: What kind of ficton will you stock?

W: There’s quite a lot of science fiction in there, but what I’ve done is actually keep all of the different genres together from literature through to sci fi, horror and crime, because I think that the distinctions between the genres is shocking at best. It’s all a bit artificial. Science fiction or crime tends to become called literature after a patina of age has given it a bit of respectability.

Fiction is a good example of people being able to stumble across something that they weren’t really expecting to find or look for. Someone might come in for a Dickens and walk out with Doctorow instead. That idea, to me, goes to the heart of the store.

N: The store is making me think of Jules Verne, HG Wells and the whole Victorian era with that idea that the sciences and the arts not only don’t have to be separate but perhaps shouldn’t be separate.

W: I think they’ve both got to transform. Once upon a time you had the Renaissance-type individuals who didn’t really specialise but just applied thought to a wide range of disciplines. I think we’re at a point where that is almost impossible now. But some of my favourite artists and the most stunning artwork you’ll see today are coming out of people like mathematicians and engineers.

I think in some respects it behoves the arts to catch up with that, in that we can’t just rest upon our laurels and say “I’m a creative type, therefore I don’t have to pay attention to this stuff.” I think if you’re a creative type, it’s your responsibility to pay attention to this stuff.

So that’s my take on it, and steampunk and the Victorian era is really classic for it. The great icon of steampunk and in the sciences is Charles Babbage, possibly one of the top five most brilliant people the world has ever produced. His discoveries and his work are absolutely mindboggling, and he really did cross over between multiple genres. For instance, one of his favourite things was automata. That art that has really been lost, where you make a robot, effectively, out of clockwork.

I’d love to have some in the store and be able to represent artists that do the work in here. That would be fantastic.

N: Is that something you might consider in the future, having mini art installations?

W: Up north we actually did have a gallery attached to our bookshop. It just so happened that this space wasn’t really suitable for it. But we will conduct one and two day exhibitions, where we have a particular artist come in, some plinths and things through the store, by invitation only.

N: Is there anything particular you’d like to say to readers about your store and what they can expect of the experience?

W: It’s our mission to keep the culture of bookshops and having somewhere where you will be provoked in thought very much alive. We will have more events than most bookshops tend to, but we’ll bring in the people who are running the synchrotron or scientists from the Florey Institute in order to try make those things more accessible to people.

You don’t have to go to university or a specialised centre to see that. And that’s what we want to permeate throughout the shop. If you’ve got any ideas about anything that is worthwhile and rational and reasonable out there about the world, we want to help people connect with it.


Embiggen Books at 203 Little Lonsdale St, Melbourne is open Monday to Saturday, and late on Thursday and Friday nights. Follow them on Twitter @EmbiggenBooks.

Embiggen is also now stocking titles from Twelfth Planet Press, including the first three 12 Planets anthologies, Nightsiders by Sue Isle, Love and Romanpunk by Tansy Raynor Roberts and The Thief of Lives by Lucy Sussex. It also stocks Sophie Cunningham’s Melbourne. So what are you waiting for? Get yourself in to Embiggen Books!

Review: Melbourne by Sophie Cunningham

To begin with, I want to say what a beautiful object the book Melbourne is. When people go on about the texture, weight, feel and smell of real books in the e-book debate, this is the book they mean. Melbourne, written by Sophie Cunningham and published by New South Books, is exquisite. A small, solid hardback, its elegant dustcover sheaths a simple cream cover embossed in gold. It looks like a book made for princes. The inside cover is an old-style map of Melbourne with icons highlighting features of the city. The pages are thick, rough-edged paper which provide a real tactile joy.

An object as lovely as this book ought to have magic in its pages, and it does. Sophie Cunningham’s tale is part memoir, part ode to the city. I began by thinking the story was like some densely woven cloth, linking the past and present, connecting people and events across the city and time, but cloth is flat, and this story is deep and rich. So the Melbourne of these pages is more like close-growing plants whose roots go deep and intertwine, and whose branches and leaves mingle equally above.

It’s all a pretty poetic approach, but what the hell—the book has a beauty and poetry that go beyond saying “this is a neat and evocative book about Melbourne and its history”.  Cunningham’s personal history is revealed along with the city’s own story, and her emotional response to the places and people therein give the book real life and depth. Some of her experiences tally with or even cross over with mine, adding an extra tang of resonance.

Her story is full of extracts from essays, novels, emails and articles. The seasonal chapters flow from topic to topic, so that you may start with fruit bats in the gardens and end up at a book exhibition by way of Barry Humphries, football, TISM, indigenous history, Australian TV of the 1960s and the Victoria Markets. And every step leads logicially from start to finish. Along the way she talks about things I knew only in passing or not at all, adding to my own stash of knowledge about my adopted hometown.

New South has produced a number of books that give personal accounts of Australian cities, including the award-nominated Sydney by Delia Falconer. Cunningham’s Melbourne will surely be on upcoming lists. It sings a song of home to those of us who love this place, and perhaps may even explain that love to people who come from anywhere else.

Get Melbourne by Sophie Cunningham from New South Books  or from Readings, which also has it as an e-book.