Tag Archives: Kitty and Cadaver

Works in Progress 2018 (aka Narrelle’s To Do List is Scary)

Hello all. I’m already bolting out of the gate in 2018 with a series of projects that promise to keep me chained to the keyboard all year.  Yes, that is the sound of me cheering. I quite like my keyboard.

Besides working hard on the day job, I spent January preparing the re-release of the second book of the Duo Ex Machina series, Sacrifice. My Patreon supporters are getting the re-edited chapters of that book every two weeks, and when completed, they’ll get a thank you copy of the book and it’ll go on general sale.

Now that the individual chapters are scheduled in Patreon, I’ll be working on the third and brand new novella in the Duo Ex Machina series,  Number One Fan.

One of the other things I’m working on  is the expansion of Grounded (a sample of which was posted for Patreon supporters in December).  The things I’m writing into it are slotting in very naturally, and now I wonder why I didn’t include them in the first place.  I hope to have completed these edits by the middle of February and soon after be ready to resubmit to the publisher who asked to see a longer version.

I’ve also devised a cover for the proposed short story collection, Scar Tissue and Other Stories. It will contain some of my (edited) Lost and Found flash fictions and reprints of older stories. I’m also planning a number of brand new stories too – a few more Lost and Founds, and a some other short stories, perhaps set in the universes of Ravenfall and Kitty and Cadaver

Scar Tissue and Other Stories is planned to be a reward for Patreon supporters once I reach my first goal of $100/month. I’m not quite there yet, but if you’d like to help me reach that goal (and access reward copies of books, sneak peeks of works in progress and other exclusive content) that would be grand.

These aren’t my only planned projects for 2018.  Among the others are:

  • A re-release of The Opposite of Life
  • Writing the third of the Gary and Lissa books so that there’s a trilogy
  • A series of short stories for Clan Destine Press – The She Wolf of Baker Street
  • A story collection set post-The Adventure of the Colonial Boy
  • Working with a UK artist to develop a potential picture book.

Ambitious, I know. But I’m full of ideas! With fortune and good planning, I might even get all these started (and some even finished) by the end of the year.

Wish me luck.

Score for Sharp – and bonus versions

Kitty_iconI have written a number of songs that don’t appear in Kitty and Cadaver (though they may show up in the second book, when I get to it.)

This one, Sharp, was (like Copper Beaches) written as a sort of Sherlock filk song exploring John Watson’s youth and his relationships.

Sharp was based on the idea that as a teenager he had walked in on his sister Harry cutting a girlfriend’s name into her arm.

(In my head, they are a very dysfunctional family, after his mother’s death and their father’s and Harry’s ensuing depression and alcoholism.)



Red ink,
black letters,
parchment skin
Is this the only way you know to let love in?

Strange joy
Blessed pain
Is it only when the love hurts
that you think it’s real?

See it to believe it, carve it on your heart
Leave a message from your arteries
And the love just falls apart

And the memories are sharp
So sharp
You can’t use my hand or heart
So cut me out.

Etch a name into the bone
Not hers, not yours, but ours alone
Let these words be written
“I could not stand to listen”

You’re the one who’s leaving
You have cut away the ties
And the neatest slice is bleeding
Goodbye, goodbye
the red ink writes

Red ink,
black letters,
parchment skin
Is this the only way you know to let love in?

And the memories are sharp
So sharp
You can’t use my hand or heart
So cut me out.

They’re not necessarily kind lyrics. They’re the words of an angry young man whose family is falling apart and he can’t work out how to keep them together and functional. Especially as neither his father nor sister seems to want him to.

Of course, one of the wonderful things about filk, fandom and music, is that other people may come along and play in your sandpit. A fellow Sherlock fan was inspired to play with the lyric, come up with her own melody and record it for her Soundcloud account. (She’s also done her own version of another filk I wrote, Battlefield).

Here is my own version, sung a capella.

At Continuum 11 this year, Ann Poore performed a version of it (and her take on Gretel’s Lullaby and Down as well) during a filk singing session.

(By the way, if you’re interested in filk – which is basically the fan version of folk music – Ann and I have started the Melbourne Filkers group on Facebook and we’re hoping to find others to join us to develop a local singing scene.)

And here is the score for my version:

Sharp 1Sharp 2

And as always, if you’re moved to try your own version of it, I’d love to hear it.