Tag Archives: horror

Five Questions for Alan Baxter

Today, Alan Baxter answers five questions about his new book:

Alan Baxter

1. What’s the name of your latest book – and how did you choose the title?

The new novel is called Hidden City. Generally, I hate choosing titles. Every once in a while, a title will drop into place, but that’s very rare. Usually I agonise over them for ages. Thankfully, this was one of those rare occasions when the title was there right from the start and it stuck.

2. If you could choose anyone from any time period, who would you cast as the leads in your latest book?

I don’t like to say. People often ask me that question about books, but how I see a character may not be anything like how a reader sees them, and I don’t want to tread on that. There’s some description there in the book, of course, but beyond that I want the reader to build their own mental cast and however they look, that’s fine with me.

3. What five words best describe your story?

Urban fantasy horror noir weird.

4. Who’s your favourite fictional team?

Batman and the Joker. I love everything about both characters and how they fuel each other, and how their pasts created them and continue to inform them. I think they’re the two greatest fictional characters ever invented. (Of course, I mean the 80s/90s DC Comics versions, not the Adam West version [though I do love that show] or the modern movies.)

5. What song reflects a theme, character or scene in your book?

Well, this is a dangerous question to ask someone with tastes like mine. There’s a band called Strapping Young Lad, who have disbanded now, but they produced some of the heaviest shit ever and I love them. The lead singer/guitarist, Devin Townsend, is a musical genius, and he still makes amazing music with The Devin Townsend Project. Check them out!

But to answer your question about this particular book, I’m going to say “All Hail The New Flesh” from the Strapping Young Lad album, City. Brace yourselves.

About Hidden City

When the city is sick, everyone suffers.

Steven Hines listened to the city and the city spoke. Cleveport told him she was sick. With his unnatural connection to her, that meant Hines was sick too. But when his friend, Detective Abby Jones, comes to him for help investigating a series of deaths with no discernible cause, Hines can’t say no. Then strange fungal growths begin to appear in the streets, affecting anyone who gets too close, turning them into violent lunatics.

As the mayhem escalates and officials start to seal Cleveport off from the rest of the world, Hines knows the trouble has only just begun.

About Alan Baxter

Alan Baxter is a British-Australian author who writes supernatural thrillers and urban horror, rides a motorcycle and loves his dogs. He also teaches Kung Fu. He lives among dairy paddocks on the beautiful south coast of NSW, Australia, with his wife, son, dogs and cat. He’s the multi-award-winning author of several novels and over seventy short stories and novellas. So far.

Read extracts from his novels, a novella and short stories at his website, on Twitter and Facebook, and feel free to tell him what you think. About anything.

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Five Questions for Charlie Raven

Today,  Charlie Raven answers five questions about her new book:

Charlie Raven

1. What’s the name of your latest book – and how did you choose the title?

It’s called The Compact. The title just popped into my mind about halfway through the process of writing it. It came about because one of the themes of the story is the fear of old age. That fear is universal, of course, particularly for anyone who depends on their looks in their work, but back in the 1890s there were hardly any viable careers open to women, so the fear of ageing must have been even more acute.

A ‘compact’ refers first to those pretty little tins of pressed face powder that used to be carried in every woman’s handbag. Another older, perhaps more sinister meaning of ‘compact’ becomes apparent as the story progresses: a contract or covenant. There’s an occult covenant which one of the characters is affected by; and there’s also Alexandra’s contract with Minerva, which persuades her to agree to terrible things.

2. If you could choose anyone from any time period, who would you cast as the leads in your latest book?

Wow! What a great question. Well, let me think.

Sherlock Holmes does make a couple of brief appearances, but in this story, Dr Watson is the main character from that duo. Somehow, my mind wants him to look like David Burke’s portrayal in the 1984 ‘Adventures of Sherlock Holmes’ series.

Holmes is more difficult, as I have my own inner Sherlock and no actor has yet portrayed him perfectly.

Minerva, with her melodramatic manner, should be played by a glamorous, smouldering 1940s actress, such as Hedy Lamarr. Alexandra: h’mm, maybe a middle-aged Katherine Hepburn? Emma Thompson, as she looks now, with her capable personality, would be perfect for Harriet.

Lastly, I have no idea who I can possible cast as the 22 year old Aleister Crowley and his lover, Jerome Pollitt. Crowley was nothing like the later pictures you see of him, where he resembles Uncle Fester from the Addams Family – in 1898, he had a full head of hair, strangely piercing eyes and, being a mountaineer, was very fit. Pollitt was a gorgeous amateur female impersonator. I could see them played by a young Johnny Depp and a young version of the very camp British comedian, Julian Clary. That’s hilarious to think of. Will that do?

3. What five words best describe your story?

Subtle. Sinister. Crepuscular. Labyrinthine. Surprising.

4. Who is your favourite fictional team/couple?

In the whole history of literature? That’s difficult, isn’t it? If I said Holmes and Watson, that might be true. But from childhood, I have loved Frodo and Sam, so I think I must loyally name them.

5. What song reflects a theme, character, relationship or scene in your book?

I love David Bowie. He layers unsettling lyrics with multiple meanings on top of singable tunes. One of my characters, Albert Burroughs, is really rather weird. I don’t want to give any of the plot away but he makes me think of this track from Bowie’s 2013 album, The Next Day: ‘You Feel So Lonely You Could Die’

The walls have got you cornered, you’ve got the blues, my friend …

Shivery stuff.

About The Compact

It is 1898, the London of Sherlock Holmes. Harriet Day is increasingly worried about the strange influence of a powerful, unpredictable woman, Minerva Atwell, over her dearest friend, Alexandra Roberts. By chance, Harriet befriends Alexandra’s lodger, the gentle actor, George Arden; and when he is wrongly accused of murder, Harriet turns to a lonely, ailing Dr Watson to investigate.

To Watson’s chagrin, his enquiries are aided and occasionally hampered by a strange young man by the name of Aleister Crowley and his flamboyant lover, Jerome Pollitt.

The Compact is an LGBTQ mystery with a touch of Magick.

About Charlie Raven

I was born, studied and live in England. I have three children – the youngest is 13 – and two grandchildren. My life has taken some odd twists and turns and occasionally led me down the rabbit hole. Fortunately, even the worst choices turned out for the best (filed under: children). I inherited a fascination with weird history, ghost stories and liminal places from my mother (and I’m so glad my children are the same).

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